Why do we enjoy doing things for no good reason? For The New Yorker, July 2019. Read the piece here.

Personal — 2019

Book cover for the screenplay of trace, a Canadian live theatre production by Jeff Ho.

Ongoing, personal.

Series of illustrations for an editorial and interview with comedian Neal Brennan.

Photos by Chris Lim and Eugene Kan.

Read the story here.

Private equity firms are destabilizing companies with their buyouts. For Institutional Investor.

Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.

A new decades-long study solidifies that women in leadership directly affect the bottom line of public companies. For Institutional investor.

A retelling of one woman’s experience in a psychiatric ward. For Buzzfeed News.

Op-Ed illustrations for The New York Times, covering timely and prescient topics.

A. Build Central America, Not A Wall
B. The Cowardly Labor Secretary
C. Amazon, the Door’s Still Open

Portrait of British psychiatrist Dr. Humphry Osmond for The Walrus. Dr. Osmond was one of the earliest proponents of psychedelic drug use in medical practice. His work has dovetailed with a recent wave of published books about psychoactive drugs; sparking something of a “psychedelic renaissance”.

In 2018, the founder of Quadriga CX abruptly died, taking the keys to millions of crypto accounts with him in a cold wallet. For Institutional Investor.

Inside the biotech startup that wants to extend lives. A deep dive into the company that scientist David Sinclair built; for the OneZero branch of Medium.com.

Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.

Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.

For an opinion piece on the need for incivility in political arguments and using ad-hominen arguments to lead us to the truth.

Personal

Personal — 2019

A series of 9 spot illustrations in comic form for a piece entitled “18 Signs You Were An Institutional Investor In 2018”.

Daily artwork produced for Institutional Investor across various sections.

1) Infrastructure fundraising on a major tear
2) Murky charitable donations,
3) The stock market tanking in Q4 2018
4) Liquidity risks in the bond market,
5) Studying endowments closely

For The New York Times Open, about supporting AR in the NYT Android app.

Read the piece here.

Personal, based off Anna Rose Holmer's 2016 film "The Fits" starring Royalty Hightower.

Chosen for the Communication Arts 2017 Illustration Competition Shortlist.

From NEW BODIES, my 2018 risograph project. 

A representation of the feeling of being in an identity crisis.

Personal — 2018

Personal

Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.

Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.

Part of the “Around The World with Jay Dee” series for Splice — a tribute to J Dilla’s legacy of sampling music from every genre and corner of the world.

Cover Illustration for The Globe & Mail Life Section on a story about a Canadian company attempting to increase empathy for victims of Parkinson's disease through the use of a groundbreaking device.

You can read the article here. 

NEW BODIES is a series of 10 illustrations focused around an exploration into fashion silhouettes and provocative portraiture. Each piece was created with the risograph process in mind and was printed locally in Toronto by Vide Press. 

A short teaser trailer and accompanying product photography was done by Worker Bee Supply. You can purchase the set at my shop here. 

Winner of the 2018 Applied Arts Young Blood Award in Illustration. 

Image from the illustrated zine, Slackjaw. To review the entire publication, click here.

Illustration for The New York Times Sunday Business.

Depicts the volatility of the emerging markets and the importance of perseverance in times of doubt for investors. 

From NEW BODIES, my 2018 risograph project. 

One of my favourite exercises in melding portraiture with abstraction. 

Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Nicolas Dickner entitled Six Degrees of Freedom.

You can read the story here.

Art for the Globe & Mail "Summer Reading" series — for an upcoming novel by Shari Lapena entitled A Stranger In The House.

You can read the story here.